Feel free to use the chord progressions from some of the tonic/dominant songs like Mary Had a Little Lamb, London Bridges, Hot Cross Buns, and Three Blind Mice. This time give yourself a form, a set amount of time on each function, and a definite progression. Exercise 2 Stuctured Improvisation: Tonic and Dominant in Major.When you discover something compelling, sing it out loud and play it on your instrument. Do the exercise exactly as outline above, only instead of singing, now only hear the pitches in your head. Try to do this exercise completely in your head.Whenever you are in question as to whether your solgege or scale degrees match your pitches, stop and double check where if you are correct. Now, add solfege or scale degrees to the exercise.Do this on a neutral syllable, preferably something with a percussive consonant at the beginning like bum or dun. You can continue this pattern for as long as you'd like switching between tonic and dominant at will. Feel free to draw on tonal patterns you may have already learned for vocabulary. When you ear prompts you move to dominant, and then come back and sing something in tonic to end. In this exercise you can improvise, singing tonic for as long as you'd like. Exercise 1 Free Play: Tonic and Dominant in Major.
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